迪士尼音樂/演唱會!
Clubhouse「向經典致敬」Club
浩爾和月光河(志玲姐姐)主持
特別來賓:法國達人秀季軍 愛蓮娜
歌單,有你喜歡的歌嗎?來聽歌吧:)
Disney Concert Program
Yoon - Disney Medley 迪士尼經典歌曲串燒
Once Upon a Dream 如夢所見 - Sleeping Beauty 睡美人
Reflection 心湖倒影 - Mulan 木蘭
Over the Rainbow 彩虹之上 - Wizard of Oz 綠野仙蹤
Joni - Colours of the Wind 風之彩 - Pocahontas 風中奇緣
Qiaohan - For the First Time in Forever 好久沒在生命裡 - Frozen 冰雪奇緣
Someday My Prince Will Come 有天我的王子會來 - Snow White 白雪公主
A Dream is a Wish Your Heart Makes 夢想是內心最深的渴望 - Cinderella 仙履奇緣
Let It Go 隨它吧 - Frozen 冰雪奇緣
Howard - Circle of Life
Shileta - Part of Your World 我永遠相信 - The Little Mermaid 小美人魚
When You Wish Upon a Star 當你向星星許願 - Pinocchio 木偶奇遇記
Beauty and the Beast (French) 美女與野獸-法語版 - Beauty and the Beast 美女與野獸
Les Bannis Ont Droit D'amour (God Help the Outcasts) 蒼天的淚-法語版 - Hunchback of Notre Dame 鐘樓怪人
RL (Ricky) - Evermore 永遠 - Beauty and the Beast 美女與野獸
A Whole New World 嶄新的世界 - Aladdin阿拉丁
Remember Me 請記住我 - Coco 尋夢環遊記
When She Loved Me 當她還愛我的時候 - Toy Story 2 玩具總動員2
Benson - You Will be in My Heart 永存我心 - Tarzan 泰山
Go the Distance 走得更遠 - Hercule 大力士
Speechless 默不做聲 - Aladdin 阿拉丁
Fufu - Can You Feel the Love Tonight 今夜愛無限 - The Lion King 獅子王
同時也有15部Youtube影片,追蹤數超過18萬的網紅KemushiChan ロレッタ,也在其Youtube影片中提到,The surprising story of Murayama, a small town in the mountains with big dreams. Community Subtitles by: Marvin Nauendorff und Manuel Lamprecht (Germ...
「come help me'' in french」的推薦目錄:
- 關於come help me'' in french 在 浩爾譯世界 Facebook 的最讚貼文
- 關於come help me'' in french 在 Sarah Lian Facebook 的最佳貼文
- 關於come help me'' in french 在 Fan-Chiang Yi 范姜毅 Facebook 的精選貼文
- 關於come help me'' in french 在 KemushiChan ロレッタ Youtube 的最讚貼文
- 關於come help me'' in french 在 Team Secret Youtube 的最讚貼文
- 關於come help me'' in french 在 Kyle Le Dot Net Youtube 的最佳解答
- 關於come help me'' in french 在 Learn French and how to say "Help Me" in French 的評價
- 關於come help me'' in french 在 How do you say "help me" in French? - YouTube 的評價
- 關於come help me'' in french 在 French vs. English - BuzzFeed UK - Facebook 的評價
come help me'' in french 在 Sarah Lian Facebook 的最佳貼文
Almost exactly 3 years ago, my life was seemingly perfect until a major spanner threw me for a loop. I was left feeling completely abandoned with no answers and no understanding of what had transpired. In my distraught despair, my friend Frantz offered me to spend 3 weeks in Paris to help me escape. I couldn’t face anyone or want to deal with questions I couldn’t answer. When I got to Paris, Frantz got all the challenging parts of who I was, broken, resentful and stubborn. He’d call me to leave the apartment and not dwell in my misery, he planned the best dinners with the best view, we went to La Plagne for his annual ski trip and even Berlin for a quick New Years celebration —all in the name of being there for a friend. I finally took walks outside of his apartment, spent more of my days hanging out instead of resigning to my room and started to stock up on my fav French snacks! I was extremely lucky to say the least.
But I know not many have the luxury of dealing with mental or emotional problems through an escape. Sometimes the pain is much to real and “snapping out of it” is not an option. I saw therapists this year in the midst of dealing with my own pain and it has not been easy. This time I decided to walk through the fire instead of beating around the bush, I’m lucky I have good friends, I’m lucky to have my @supparetreat community where no one fights their battles feeling alone and I’m lucky I’m no longer afraid of my feelings.
Don’t wait too long until you make yourself a priority, it may seem easier to ignore how you feel but it’ll be more difficult to maintain the walls that surround you which block any potential of light to come through. You can’t pour from an empty cup.
This is my mental health journey and I urge you to speak to a professional, find a friend to hold space and not judge your feelings and more importantly work for your own happiness.
#worldmentalhealthday #mentalhealthforall
come help me'' in french 在 Fan-Chiang Yi 范姜毅 Facebook 的精選貼文
🎹鋼琴的大千世界/名家名言:「為何稱我為大師?主人在這裡(指著鋼琴),我只是他的奴才。」
— 李斯特著名的弟子,德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)
Why, there is the master (pointing to the piano), I am only the slave.”
— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.
📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾,演奏李斯特的第十號匈牙利狂想曲:
https://youtu.be/e12YwuHiQtY
📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/
———————————————————————1905-1906 鋼琴名家萊森奧爾(Alfred Reisenauer)在美國進行數月的巡迴演出,並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版,隔年他在德國巡迴演出期間於下榻的飯店房間內過世。
📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.
▪️With Liszt
“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.
▪️Liszt’s Pedagogical Methods
“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”
Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:(見譜例圖四)
Chopin’s next thought was, no doubt:(見譜例圖五)
But with his unerring good taste and sense of symmetry he writes it so:(見譜例圖六)
Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:(見譜例圖七)
The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.
“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”
▪️A Unique Attitude.
Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”
▪️The Future of Pianoforte Music.
An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.
Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”
As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.
▪️American Musical Taste.
Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.
▪️Concert Conditions in America.
“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”
come help me'' in french 在 KemushiChan ロレッタ Youtube 的最讚貼文
The surprising story of Murayama, a small town in the mountains with big dreams.
Community Subtitles by: Marvin Nauendorff und Manuel Lamprecht (German)
そら, DienaTalks and kamiyu(French), MoonEater (English), Esin @thought_sofa (Turkish Subtitles), Tomo (Finnish) , Indonesian (Flavylium)
Music by
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https://soundcloud.com/joseph-earwicker/keeping-time
and Poolz - "Be Yourself"
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③ How old are you?: Year of the dragon. :D The math is up to you.
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come help me'' in french 在 Team Secret Youtube 的最讚貼文
Ask me Anything with Milan, Domentos and Team Secret CEO John Yao.
» FOLLOW MILAN «
Twitter - https://www.twitter.com/Secret_Milan
Twitch - https://www.twitch.tv/Secret_Milan
» FOLLOW DOMENTOS «
Twitter - https://www.twitter.com/Secret_Domentos
» SOCIAL MEDIA «
Twitter - https://twitter.com/teamsecret
Instagram - https://www.instagram.com/TeamSecret/
Facebook - https://www.facebook.com/TeamSecret/
Website - https://www.TeamSecret.gg
Discord - https://discord.gg/33GA6np
» EDITED BY «
https://twitter.com/FiX_gfx
#SecretMilan #SecretDomento #TeamSecretFortnite
» QUESTIONS «
00:15 - Why is Osmo a big W-keyer?
00:53 - Have you ever played DotA?
01:42 - Do you think Mongraal would perform well in tournaments?
02:29 - Whats your favorite skin in Fortnite?
03:01 - Milan, do you have a crush on Ariana Grande?
03:16 - What is your favorite part of the Skirmishes?
04:10 - Will Team Secret host a tournament soon or ever?
04:37 - Where are you guys from?
05:01 - Domentos, do you know why you are the only European player playing the Secret Skirmish?
05:49 - Any tips how to get notices by a Pro Team? And how did you both get noticed?
08:39 - Are you guys ever gonna do viewer games live?
09:17 - Domentos, do you know anything about other Latvian esports professionals? And do you think you can be the biggest Latvian esports professional?
10:35 - How did you guys choose your names?
11:29 - Do any of you guys watch the French scene?
13:04 - Out of all the Team Secret players who is the most unknown or underrated?
13:38 - Milan, will you be doing more games with the Variety Gang later?
14:18 - Do you guys watch Netflix? And if so, what series do you watch?
15:15 - Would Team Secret sing any new players for Fortnite?
16:40 - Are you guys playing Pop Up and if so, how many points do you have?
17:51 - What is better? EU or NA?
19:48 - Do you guys prefer Solos, Duos or Squads when playing competitions?
22:02 - Do you guys want the Drum Gun back?
22:41 - What do you guys think of the Fortnite patch so far?
24:07 - Do you think that KovaaK’s help?
25:55 - Milan, are you gonna stream more?
26:13 - Do you guys want double pump back or do you think it’s not worth it in scrims?
26:50 - Do you guys think EPIC should reduce the damage of the pump shotgun?
27:07 - Domentos, how come we haven’t seen you duoing with Mongraal on his stream?
28:17 - What do you guys think about the current state of the game and what do you think about the future potential of it?
30:49 - Domentos, are you ready for the Secret Skirmish?
31:35 - What’s better? Stretch or Native resolution and do you think weird resulutions give you an advantage?
33:09 - Any tips for someone who wants to join Team Secret as a Fortnite player?
33:53 - Domentos, what do you wanna do after esports? Do you wanna do coaching, event managemet, work for the org...?
34:51 - What is the best keyboard?
come help me'' in french 在 Kyle Le Dot Net Youtube 的最佳解答
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Welcome to the real Paris by Night. I visit district 13 of Paris to eat a few Vietnamese dishes and to a place where Vietnamese people gather on the weekends to celebrate their Vietnam and their friends.
Previous Vietnam Diaspora video:
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About Me: I'm Kyle Le and I used to live, travel, and eat in Vietnam and many Asian countries. I'm passionate about making videos and sharing modern Asia to the world. I've traveled everywhere in Vietnam, from Hanoi to Saigon - Far North, Central Highlands, Islands, and Deep Mekong Delta - I've visited there. In addition to 15+ countries from Indonesia to Thailand to Singapore, you'll find all of my food, tourist attractions, and daily life experiences discovering my roots in the motherland on this amazing journey right on this channel. So be sure to subscribe- there's new videos all the time and connect with me on social media below so you don't miss any adventures.
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come help me'' in french 在 Learn French and how to say "Help Me" in French 的推薦與評價
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